Wednesday, April 27, 2011

Week 4 Reaction - Collecting History Online

Cohen and Rosenzweig, in “Collecting History Online,” use the example of the ancient Greek historian, Herodotus as a model for how one might engage the project of collecting historical accounts, data, and artifacts.  Basically, collect everything.

Go Digital, Get Current.  Using modern computing and communications technologies, the digital historian can leverage diverse opportunities to reach out to many different publics and to maximize one-way collection and two-way participation.  “The Alfred P. Sloan Foundation has supported dozens of online collecting projects on science and technology,” Dan Cohen states in a 2005 CRM journal publication made available on his web site, “in the belief that the history of these subjects is growing much faster than our ability to gather it through more conventional means.”  (Cohen does not explain what is meant by this, so the reader is left to gather a posse of friendly digital historians for a round of exploratory discussion.)  As an example, National Public Radio offers not only traditional radio news and entertainment, but also a broad range of oral history, interviews, and mash-media content through a partnership with Hearing Voices and Story Corps, delivered to consumers in audio, written, podcast, social media, and email formats.  Story Corps has an easy-to-reach web page on recording your own story, including a downloadable Do-It-Yourself Guide.

Create Alliances and Diversify the Delivery.  Parallel to Cohen’s claim of historical growth, technology is growing faster than our ability to consume and learn it. We all have information and skill gaps, and have to specialize around and into the complexities of the many abundant tools available. There will never be enough time to learn everything we need to learn.  Digital historians must collaboratively combine their specialties—putting pieces together to create the whole—and undertake communal learning philosophies.  Creating alliances with contributors, in addition to professionals, means appropriate and targeted marketing, seizing and maintaining momentum once established, building a trust environment that encourages visitors, and providing tools that collect reliable information from participants.  Contributors, like professionals, have multiple online skills and strengths.  Having a clear definition and understanding of the data to be collected will help define and manage the decisions around how to collect data.  Knowing the target audience and having sensitivity to their expected skills will also contribute to successful tools selection and marketing approaches. 

Be Aware the Temporality.  Data, software tools, and hardware have an amazingly brief lifespan.  This may seem obvious, but 1) follow best practices, 2) document, 3) if possible, use non-proprietary storage formats, and 4) backup.

Flickr Commons.  Backed by an impressive group of participating institutions, including NASA, Cornell University Library, Smithsonian Institution, and many more national and international organizations, the Flickr Commons launched in 2008 in partnership with The Library of Congress.

The Commons has two main objectives:

  1. To increase access to publicly-held photography collections, and
  2. To provide a way for the general public to contribute information and knowledge. (Then watch what happens when they do!)

    Paul Strand, Spokane Baseball
The idea is simple: “The key goals of The Commons on Flickr are to firstly show you hidden treasures in the world's public photography archives, and secondly to show how your input and knowledge can help make these collections even richer.”  An easy to find and easy to use search box provides near instant return of images with a supporting list of contributors.  A search for “Spokane” returned 21 historic pictures from the U.S. National Archives, The Library of Congress, and the US Digital Collections.  Click on the contributor link and only those images that belong to the contributing institution are displayed.  Copyright information is provided with the picture specifically and more generally at the Commons Usage site.

Monday, April 25, 2011

Wednesday, April 20, 2011

Week 3 Reaction - Historical Information Online

Reaction-Part 1:  Cohen & Rosenzweig
 
Traditional teaching and learning methods and complementary online opportunities are approaching a point of permanent intersection as their two trajectories approach in an inevitable collision.  Technology is so accessible, entrenched in society*, that it creates challenges and opportunities for traditional pedagogies.  Educators and researchers have new models of incorporating technology tools into their teaching, learning, and research.  Traditional scholarship and classroom opportunities are enhanced by new sources of streaming audio and video, social media, databases with smart search functionalities, and digitized records, photographs, and documents.

Cohen and Rosenzweig, in their chapter on “Designing for the History Web,” encourage historical web site developers to create sites that “enable and inspire [the visitor] to think about and grasp the past,” and to avoid design schemas that “relegate thinking to a secondary status.”  They optimistically assert that “good [online] writing produces willing readers.”  This sounds a little bit like the 1989 movie Field of Dreams and sloga, “If you build it, he will come.”  Critical and engaged reading is not as simple as making a movie or writing well.  Only with careful attention to new relationships and opportunities created by the collision of the traditional learning and technologies, will pedagogy and content be combined to create judicious and analytic online learning.  One inspired tool engaging this early collaboration of scholarship and technology is the Kindle handheld reader, bridging the traditional hard copy book and online ebooks.

Digital historians, among other academics using online content delivery, necessarily need to be attentive to initiatives in the K-through-HigherEd cohort, and actively pursue holistic learning that imparts critical thinking and careful reading whether on paper or online.

*  Accessibility and entrenchment in this case includes primarily the One-Thirds world populations, and within this group, to that subpopulation with contemporary in-home technologies or ready, open, and affordable access to up-to-date technology resources.

Reaction-Part 2:  The Proceedings of the Old Bailey

The Proceedings of the Old Bailey website is a significant effort to organize hundreds of years of court documents into useable online data, a painstaking attempt to provide access and robust searching of these proceedings. The Old Bailey is a “fully searchable edition of the largest body of texts detailing the lives of non-elite people ever published, containing 197,745 criminal trials held at London's central criminal court.”  A search for “Irish" and "Priest” yielded one Daniel Macarty (also spelled “Macarte,” “Maccharty,” and “Mackarty) who was put to death in 1680 for being a practicing Catholic Priest, against the English Statute of 27 Eliz, a capital religious offense.  Macarty was an Irishman in England, a Papist in a Protestant state, and put to death for high treason as a “Popish Priest or Jesuit.”  He was one of 24 condemned to die, “14 burn'd in the hand, one to stand in the Pillory, three to be transported, and three to be whipt.”  (I cannot reconcile the difference between the 24 condemned and the accounting of only 21 punishments.)

Image of the original document of Danial Macarty's court proceedings.
There are so many questions to ask about Macarty and those condemned with him, but so little information is actually available. How do we turn limited information from transcribed documents into a meaningful and coherent project?  How do we successfully use contemporary computer applications and tools to explore and learn the archeology of words, how language was used, the relations between the dominate power group and dominated, and what may have been missed, lost, or mistranslated? How are complex human variables engaged?

The XML-model of content analysis used by the Old Bailey cannot, on its own, adequately take into account the nuances of relationships between different social hierarchies—gender, race, ethnicity, nationality, age, religion, class, etc.—and the multiplicity of intersections as they truly existed under old English law.  Constructing these intricacies can only be performed by a researcher who respects that the Old Bailey and similar sites are limited tools.  It is the researcher's job to engage in the valuable exercise of interrogating and analyzing the many different voices and lives sparingly represented in the digitized court documents.

Wednesday, April 13, 2011

Week 2: Reaction - Who are the Players?


Answer: At first appearance, this might seem like Abbott and Costello’s signature baseball routine, “Who’s on First?,” a burlesque skit creating its own kinetic confusion as the duo vigorously engaged runners on bases.  But, honestly, its not quite that bad.

Translating intellectual labor into a web-based digital world is complex and subjective.  Some theoretical, qualitative projects may have a much better fit with “traditional” (analog) academic and publishing practices. The “promise of digital history” may not resonate with the tweed coats and leather elbow patches.  (I portray quite unfairly.)

Other intellectual work and research may neatly pigeonhole into a digital format, like the digital history site at the University of Huston, a website devoted to supporting teachers and students as they actually “do” history.  This surprisingly rich site invites multi-level exploration and one click after another leads to narrative histories, audio and video features including historical music, active games and learning, photographs and images, Flash-based interactive timelines, a reading and reference room, and virtual exhibits.  Each of these many digital tools are discussed in Cohen and Rosenzweig’s Digital History featured readings-of-the-week, “Getting Started” and “Becoming Digital,” providing a variable and multi-layered experience for exploratory visitors.

An interrogation of online digital history sites reveals different levels of sophistication and tools used.  Sites can be rough around the edges, amateurish, and of questionable pedigree, like the Home of the American Civil War, or they can be professional, sophisticated, and of good peerage, like the Center for History and New Media (CHNM).

The sheer number of online sites and the information digitally available is overwhelming, creating that problem of site and information abundance.  On any single site, even the most intrepid online adventurer risks being overwhelmed by a profuse number of options.  CHNM, in three helpful categories, offers over fifty tools to create and supplement online teaching, publishing, and exhibits.  The Maryland Institute for Technology in the Humanities (MITH), offers at least twenty-five different tools, project, research, and database links.

And the sheer number of tools available to create, maintain, organize, secure, and share sites generates its own problem of tool abundance.  So many options, so much to know, so little time.  The online tools available for purchase are as numerous as the options at CHNM.  If one Google searches for “web design software,” only one small drop in the very large bucket of digital necessities, one hits the hard wall of realization that simply choosing a product is challenging, and after purchase, there is large investment of time to learn the product and actually create a decent website (assuming one has a server upon which to host that website).


How does a historian navigate this digital maze and intelligently utilize technology-based tools in a coherent and efficient manner?  And for the technology expert (technology itself a field so complex that narrow specialization is compulsory), how do they pick up the language, theoretical frameworks, and methodology of the humanities to contribute material of value?  We all have (more than) fulltime jobs in our chosen professions.  It takes a great deal of personal perseverance and off-duty time to learn a whole new set of skills (the scientist and humanist morphing into a digital scholar).  Or, more reasonably, it takes a collaborative (and funded) effort of multiple people with multiple skills to construct and sustain a vigorous, useful, and contemporary site.

Monday, April 11, 2011

RSS Drinking Fountain

 This RSS feed was found in the Showalter Hall drinking fountain.

The drain...

Understanding the Web

Digital History, digital humanities, digital anything requires at the very least a basic understanding of the web, how browsers work, the inner machinations, and how you can have not only a civil relationship with the web, but also a productive relationship.

http://www.20thingsilearned.com/home


From the Table of Contents (Things) for the Google Chrome eBook on Learning the Web


Wednesday, April 6, 2011

Reaction: Creating New Understandings

The web sites for this week’s readings created opportunities to explore and experience different models of digital historical deployment.  Primary articles included “Interchange: The Promise of Digital History” and sections of “Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web.”  The variety of readings for the week illustrated some basic digital tools and strategies: a book published online, a compilation of conversations, link-based navigation of book excerpts; audio interview responses to prepared questions, newspaper articles (NYTimes) with relevant inter-article linking, and a satirical, graphically themed website featuring the intrepid Boilerplate complete with an online gift shop.


The Interchange dialogue amongst digital historians, which occurred in 2008, is approaching an electronic lifetime ago.  But while the sophistication of specific tools has changed and expanded, the overarching concepts discussed at the roundtable are still relevant.  The authors brought different specialties to the dialogue and so were able to explore nooks and crannies of large topic questions.  The question of analog and digital histories and the tensions between them is a considerable divide that exists between traditional historians and those historians who are embracing contemporary technologies.  Digital history—the application of new technologies to knowledge structures and pedagogic practices—breaks with the long tradition of academe and opens new, essentially unexplored opportunities for learning, participation, and collaboration.  Cohen speaks to the power of  smart search engines as a tool to bring together dispersed and seeming disparate historical resources.  (More on this below.)  Turkel opens a conversation on ownership, availability, and cost of historical scholarship, a digital supplement to scholarly labors and time-honored long-form monograph.


An intriguing possibility of digital information and the ability to cross-pollinate from multiple sources is if the categorization of hierarchical relationships, understanding, and assumptions will change.  Under old, manual systems of classification for written materials, hierarchical definition of relationships, a definition of normative, and the creation of the Other, established artificial structures of power and presumptions of difference.  For example, both the Library of Congress Subject Headings (LCSH) and the Dewey Decimal Classification (DDC) created hierarchical structures of knowledge.  (Reference Hope A. Olson’s (2001) “The Power to Name: Representation in Library Catalogs.”)  The Google search engine, a construction of user search phrases and frequencies, reflects to some degree this same hierarchical structure and learned values.  Digital cataloging, unlike traditional analog cataloging, is a free for all, dependent not on formal numbering systems, but open to unlimited and visionary rethinking of how material and data can be perceived in new and original constructions.


The Digital History book available online by Daniel Cohen and Roy Rosenzweig puts the philosophy of open learning and collaborative sharing into practice.  The book, available in bound, printed form, is also available online. Published in 2005, this book might be considered ancient against the warp speed timeline of technologic advancements.  However, the introductory themes are still relevant to the novice digital historian.  Teaching and Learning, a short section, takes the reader beyond the electronically posted syllabi into larger projects, online trends, and pedagogic philosophy.

The future of digital scholarship and learning is an exponentially expanding field, moving with such rapidity that all new scholars must engage with the new tools or become, as does the material they study, become part of history.

Monday, April 4, 2011

Installing Gmail offline

Hey, need to know how to set up your Google gmail as offline? Click this link which will take you to Gmail instructions. Installing Gmail offline

Friday, April 1, 2011

Screaming Queens - Drags in the Tenderloin

Three years before the Stonewall riots in New York City, San Francisco’s Tenderloin District had the first but little known riot between police and of transgender women, drag queens, gay clientele, and neighborhood activists.  Screaming Queens: The Riot at Compton’s Cafeteria, a 2005 documentary by Susan Stryker and Victor Silverman depicts the forgotten 1966 Compton’s Cafeteria riot when transgendered women and gay sex workers resisted police harassment, a catalyst for the larger Gay Rights movement.

Susan Stryker earned her Ph.D. in U.S. History at the University of California at Berkeley in 1992, and later held a Ford Foundation post-doctoral research fellowship at Stanford University. She currently works at Indiana University in Bloomington as a professor of Gender Studies.

Victor Silverman earned his Ph.D. in History from the University of California, Berkeley, in 1990, and is currently a faculty member in History at Pomona College.

Vimeo carries a 25 minute segment.
(NOTE: This embedded link to Vimeo seems to works only in IE and Chrome. It does not work in Firefox.)



Screaming Queens - The Riot at Compton's Cafeteria on Vimeo.

Smaller clips from the embedded video above can be found on YouTube:

What about those museums?

The Pinky Show is a non-profit educational project focusing on "information & ideas that have been misrepresented, suppressed, ignored, or otherwise excluded from mainstream discussion, and do this in a way that is informal and easy-to-understand." The very light-hearted but informational FAQ helps excavate the mystery behind Pinky, the mascot cat and best friend bunny.

With images and videos, The Pinky Show illuminates and educates on such subjects as Structure, Power, & Agency, Hawaii vs. U.S. Imperialism, and What's Wrong with GMO's, to list a few from a very long list of video options. Clicking on the video link delivers streaming video and typewritten script.

Here's a promising Pinky video! The video embedded below can be found on YouTube, but why send you there when you can look at it here with only a single mouse click.  Let's unwrap that mummy and see what lurks behind the sheets of "coercive institutions."  And now, for a brilliant learning moment, presenting We Love Museums... Do Museums Love Us Back: